Review: Iron Reagan – Tyranny Of Will

Another review written for Rock’n’Reel Reviews.

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It was only last year that punk-thrashers Iron Reagan impressed everyone with their début full length Worse Than Dead. Now they’re back with a second album that’s bursting with energy and just as ballsy. Tyranny Of Will continues exactly where the Richmond ragers left off and may well be more abrasive than their first export.

Like the first, it has a youthful feel; like a band making awesome, aggressive music because they damn well want to. The twenty-four tracks encourage you to let off steam through the rhythmic aggression and catharsis of hardcore punk, while frontman Tony Foresta, clearly indulging in his love of the genre, injects his humorous personality into the band’s sound and approach. Fans of Municipal Waste are bound to adore the ferocity of this record and their beloved vocalist and bassist’s (Landphil Hall is on guitar) more rough’n’ready project.

If anything, the thrash component has been amplified slightly on this one. Songs like ‘Eyeball Gore’ and ‘Nameless’ pack the speed and tenacity of old-school icons. ‘I Won’t Go’ has a particularly Slayer feel to it. As electrifying as these full velocity moments feel though, it makes for a fuller, more interesting listen when broken up with punchy beats and basic, satisfying riffs. Songs like ‘Close To Toast’ and ‘In Greed We Trust’ possess infectious, fist-pumping grooves.

The fivesome’s follow-up effort is fast, frenzied and a hell of a lot of fun. Dive in head first to this one.

Personal Score: 4/5

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Review: Space Chaser – Watch The Skies

Another review written for Rock’n’Reel Reviews.

Space Chaser have boldly gone where many men have gone before, by tackling the ever-popular thrash scene. Heralded as being a staple of their tight-knit metal community in Berlin, one can assume that they’re hoping to make as good an impression on the rest of the world.

Their début Watch The Skies is another contemporary attempt at re-creating the noise and mayhem of a decade once past. In that respect alone it does a great job at capturing that beer-drenched energy. If you’re imagining a harsh sounding, Teutonic metal throwback however, think again. This is definitely American influenced and the quintet celebrates alien invasions, hazardous waste themed, cartoon-like thrash. They sound like they’re having a great time too. The tracks are fast, frantic and shred-tastic, led by an old-school, wailing vocal style. Fans of Municipal Waste and Gama Bomb should back this.

It’s no innovation (an almost impossible task these days) but holding out through these ten snappy tracks is a definite joy-ride. The band should be as welcome into the modern circuit as their international peers.

Personal Score: 3/5

One year with Rock’n’Reel Reviews

Whilst reviewing Lost Society’s new album, it occurred to me that my review of their début was the first thing I wrote for Rock’n’Reel Reviews exactly a year ago.

Time really does move quickly. Especially when assessing so much awesome music!

Here are my metal review highlights from the past year:

Children Of Bodom – Halo Of Blood 4/5

They’re my favourite band, so of course this was excellent. The Finnish heavyweights’ most exciting work in ten years. I’m massively biased and would have loved to award it five stars. It is an excellent album though.

Havok – Unnatural Selection 3.5/5

Along with a select few, Colorado thrash pack Havok are dominating the scene and are one of my personal modern favs. Unnatural Selection may not be as frantic as its predecessor, but is packed with great tunes nonetheless.

Morgue Orgy – The Last Man On Earth 4/5

This album was an amusing surprise. Not only did it break up the colossal amount of thrash I listen to, but this groovy death metal and its spooky vibe was an entertaining and impressive début album from an unsigned, homegrown band!

Behemoth – The Satanist 4.5/5

The Satanist is an evil masterpiece and already a firm contender for album of the year. Basically everybody needs to hear it.

Savage Messiah – The Fateful Dark 4/5

Definitely another thrash recommendation, this time from London. The Fateful Dark is the most recent album that was an absolute pleasure to review. I officially label Savage Messiah under Excellent!

Review: Noble Beast – Noble Beast

Another review written for Rock’n’Reel Reviews. This time of Noble Beast’s début album.

Storming into the picture with this truly epic, self-titled debut, Minnesota’s Noble Beast are the latest addition to the power metal scene. This triumphant culmination of melodic European and American power metal warrants attention from confirmed fans of the genre as well as new listeners. As a power metal novice, this is what I imagine the decent stuff to sound like: fast, enthralling and valiant!

‘Iron-clad Angels’ kicks things off brilliantly, with its charging pace and memorable chorus boomed out by Sir Robert’s deep and powerful voice. The thrash component is instantly prominent too. The listener is sent tearing forward through a relentless sequence of hooks, soaring harmonies and choruses that evoke visions of heroic battles and mythical gods.

A little clichéd? Yes. This is an acquired taste and whilst we can all enjoy the drama on occasion, for many I believe it will soon become tedious. Unless you love this kind of thing, of course! Just a handful of songs would suffice (and go down especially well at a summer festival.) ‘Behold the Face of Your Enemy’ and ‘On Wings of Steel’ are my suggestions. Noble Beast requires some versatility in style or subject if they’re to reach a wider audience long-term.

Personal Score: 3/5

Review: Savage Messiah – The Fateful Dark

My four-star review, written for Rock’n’Reel Reviews.

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Could this be the album that launches Savage Messiah into stardom? The Fateful Dark certainly has the great songs, awesome shredding and irresistible hooks to do so. It’s an exciting release – one these London metallers must be very proud of.

There’s a quality across this creation that’s so alluring and professional sounding, one could easily envision the band absolutely dominating large venues in the near future. The ten songs are packed with memorable riffs, (I’ve had ‘Iconocaust’ and ‘Hellblazer’ earworms for days now,) captivating melodies and topped by a souring vocal style from frontman Dave Silver. His abilities add a rather epic dimension to a fierce musical backdrop that’s full of passion.

The title-track is one of the slower paced, sing-songs on this thrashy opus; another opportunity for Silver’s vocals to shine, especially at the song’s climatic chorus… Not to everyone’s taste, but so what? ‘The Fateful Dark’ is a soulful and instantly likeable listen.

With this offering, Savage Messiah will win the hearts of curious listeners who are yet to be converted into fans.

Personal Score: 4/5

Live Review: Evile at The Cellar

Those who arrived at The Cellar early on Monday evening will have reaped the benefits as support band Bloodworks, a young foursome from Gosport, laid down a shockingly heavy opening of work; packing a deathly punch reminiscent of the genre’s greats and audibly entwined with contemporary influences, like Devildriver and Lamb Of God. The band’s obvious knowledge of no-frills metal past and present made for an impressive spectacle in light of their age. Be sure to catch Bloodworks locally before the upcoming EP catapults the band to new heights.

Sweden’s Wolf may be poles apart from the forerunner’s fresh blend of brutality with their entertaining take on old school British heavy metal, yet they bridged the gap between openers and headliner energetically and with much crowd engagement during their final date on this UK tour.

Evile should arguably be packing venues to the max at this point in the band’s career, however the presence at The Cellar left a lot to be desired. Energy levels and crowd movement seemed to be flagging throughout, especially in comparison to the frenzy at Southampton’s Talking Heads almost exactly a year ago after the success of Five Serpent’s Teeth.

This time Huddersfield’s most popular thrashers mixed up their usual set to include rare bangers and unheard live performances prior to this tour, such as ‘Origin Of Oblivion’. For this fan, failure to witness other punters bouncing off the walls in excitement and appreciation came as a disappointment. Nevertheless, the reception was welcoming and the quartet’s decision to retain fan favourites into the setlist was apparently a wise move – going some way to injecting the rightly deserved commotion into the crowd.

Live Review: Warbringer at Barfly

Warbringer are a touring machine but if their impressive onslaught of death infused thrash at the Barfly was anything to go by then the band’s reputation for putting on continually dynamic exhibits is completely justifiable.

After three support acts the Californian five-piece finally met their pepped-up crowd and proceeded to fire off a barrage of neck-breakers from across their solid arsenal. Favourites from the past such as ‘Shoot To Kill’ and ‘Total War’ were met with a frantic pit and ongoing cycle of stage divers whose antics were encouraged by frontman John Kevill.

With the band storming forward without much time for contemplation, without much time to breath for that matter, we were fortunately left with a few final moments to enjoy a cover of Motorhead’s ‘(We Are) The Roadcrew’ – a fitting testament to Warbinger’s ceaseless schedule.

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